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By the mid-1930s, Cohn had nurtured Columbia from a low-rent, B-movie studio on Hollywood’s “Poverty Row,” a block off Sunset, into a major Hollywood film studio.He was in the dark and suddenly the spotlight picked him up—he was electric, he was hot, it was almost a sexual thing.He was singing to Kim Novak, sitting at a stageside table; she had just finished work on Alfred Hitchcock’s the most challenging film of her career.She was Columbia’s resident sex goddess in the 1940s, but she had a bad habit of getting married.
Her first husband was a 40-year-old car salesman named Edward C.
“I went from covering Al Capone to covering Harry Cohn,” Bacon recalls. At the time, Le Pavillon was one of the most famous restaurants in the world: Through its doors, at 5 East 55th Street, came the Vanderbilts, the Rockefellers, the Cabots, and the Windsors.